ORIN
Sydney, Australia
Photography book
January, 2023
EN. 20,3 cm × 19,3 cm, 40 pages
© Photographs : Angeline Le Corre
Orin — origin in Breton, is a self-published photobook offering a selection of photographs from my last trip in Brittany, in June 2022.
This publication is a tribute to my ‘Orin’, to Brittany, a land I left behind me several years ago in order to explore other countries and horizons.
The typeface is Lapture by Tim Ahrens.
It is used to evoke the sharp but generous shapes of the rocky coastline.
Printed in Sydney, Australia.
© Photographs : Angeline Le Corre
Orin — origin in Breton, is a self-published photobook offering a selection of photographs from my last trip in Brittany, in June 2022.
This publication is a tribute to my ‘Orin’, to Brittany, a land I left behind me several years ago in order to explore other countries and horizons.
The typeface is Lapture by Tim Ahrens.
It is used to evoke the sharp but generous shapes of the rocky coastline.
Printed in Sydney, Australia.
FR. 20,3 cm × 19,3 cm, 40 pages
© Photographies : Angeline Le Corre
© Photographies : Angeline Le Corre
DAWN GALLERY
Sydney, Australia
Visual identity/logo
December, 2019
EN. Visual identity proposal for the Dawn gallery in Sydney, Australia
Dawn is a space of curated content, creative expression and collaboration, that aspires to democratise art by creating a community for artists, aesthetes and creatives.
The gallery caters to a cross-section of both artists and clientele, providing emerging artists with a platform for growth whilst honouring the achievements of the already renowned and well-established.
Dawn is a space of curated content, creative expression and collaboration, that aspires to democratise art by creating a community for artists, aesthetes and creatives.
The gallery caters to a cross-section of both artists and clientele, providing emerging artists with a platform for growth whilst honouring the achievements of the already renowned and well-established.
FR. Proposition d’identitée visuelle et de logo pour la galerie d’art Dawn à Sydney, Australie
La galerie Dawn est un espace d’exposition, d'expression créative et de collaboration, qui aspire à démocratiser l'art en créant une communauté pour les artistes, esthètes et créateurs.
La galerie honore le travail d’artistes émergents comme celui d’artistes déjà connus et bien établis.
La galerie Dawn est un espace d’exposition, d'expression créative et de collaboration, qui aspire à démocratiser l'art en créant une communauté pour les artistes, esthètes et créateurs.
La galerie honore le travail d’artistes émergents comme celui d’artistes déjà connus et bien établis.
OUT OF THE BLUE, AND INTO THE BLACK
Bali, Indonesia
Photography book
May, 2019
EN. 16 cm × 22 cm, 100 pages
© Photography : Angeline Le Corre
Out of the blue, and into the black, When Bali is struggling with two different cultural identities, the Indonesian authentic one and the Western invasive one.
Presented as a non-linear narrative of landscapes, still life, and portraits, this book explores notions of invasion, authenticity, and disorder, and ultimately confronts the ambiguities of a national identity.
© Photography : Angeline Le Corre
Out of the blue, and into the black, When Bali is struggling with two different cultural identities, the Indonesian authentic one and the Western invasive one.
Presented as a non-linear narrative of landscapes, still life, and portraits, this book explores notions of invasion, authenticity, and disorder, and ultimately confronts the ambiguities of a national identity.
FR. Out of the blue, and into the black, lorsque Bali est aux prises avec deux identités culturelles différentes, l'authentique indonésienne et l'envahissante occidentale.
Présenté comme un récit non linéaire de paysages, de natures mortes et de portraits, ce livre explore les notions d'invasion, d'authenticité et de désordre, tout en confrontant finalement les ambiguïtés d'une identité nationale.
Présenté comme un récit non linéaire de paysages, de natures mortes et de portraits, ce livre explore les notions d'invasion, d'authenticité et de désordre, tout en confrontant finalement les ambiguïtés d'une identité nationale.
FAKOVER THE STOOGES
Paris, France
Album Cover
March, 2019
EN. The Stooges, «The Stooges », 1969
30 cm × 30 cm
Elektra records
© Photography : Angeline Le Corre
Fakover is a project led by a group of people with a passion for music but also for album cover design. The principle is to choose a song, an album and design a new version of its record cover.
In 1969, The Stooges released their first eponymous album. Errance, decline and savagery are probably among the key words to describe this album. This is on those terms that the construction of this cover is based.
It captures a moment of loss, deep in Indonesia, where decadence is still allowed.
︎ @fakover
30 cm × 30 cm
Elektra records
© Photography : Angeline Le Corre
Fakover is a project led by a group of people with a passion for music but also for album cover design. The principle is to choose a song, an album and design a new version of its record cover.
In 1969, The Stooges released their first eponymous album. Errance, decline and savagery are probably among the key words to describe this album. This is on those terms that the construction of this cover is based.
It captures a moment of loss, deep in Indonesia, where decadence is still allowed.
︎ @fakover
FR. Fakover est un projet mené par un groupe de personnes passionnées par la musique mais aussi par la conception de pochettes d'albums. Le principe est alors de choisir un morceau de musique, un album et de concevoir une nouvelle version de sa pochette de disque.
En 1969, Les Stooges sortaient leur premier album éponyme. Errance, déchéance et sauvagerie font probablement partie des mots clefs pour décrire cet album. C’est sur ces termes que repose la construction de cette pochette.
Elle capte un moment de déperdition, au fin fond de l’Indonésie, là où la décadence est encore permise.
En 1969, Les Stooges sortaient leur premier album éponyme. Errance, déchéance et sauvagerie font probablement partie des mots clefs pour décrire cet album. C’est sur ces termes que repose la construction de cette pochette.
Elle capte un moment de déperdition, au fin fond de l’Indonésie, là où la décadence est encore permise.
BELLY MAGAZINE issue 13
Bali, Indonesia
Magazine
September, 2018
Cover and various spreads designed for BELLY magazine issue 13
Belly magazine is an independent publication entrenched in Southeast Asian action sports, creative pursuits, and adventure travel. It’s a collaboration between surfers, skateboarders, photographers, filmmakers, writers, and artists. The team of Belly magazine has given me the opportunity to steer the art direction of two issues. Here is issue 13.
︎ editorial team: Nathan Lawrence(photographer); Leo Maxam(editor); Thai Little(creative director)
︎ contributors: Evan Mock; Arto Saari; Thomas Campbell; Anton Ismael; Ramen Gvrl; Nadia Rompas; Unga; Leandro Quintero; Timmy Toes; Scotty Hammonds etc.
︎ surfers and skaters: Evan Mock; Gavin Beschen; Agus "Blacky" Setiawan; Mikala Jones; Jackson Wau; Rob Machado; Evan Geiselman; Colin Moran; Ford Archbold etc.
︎ @balibelly ︎ @bellymag ︎ balibelly.com
Belly magazine est une publication indépendante ancrée dans l’univers de la contre-culture à majorité indonésienne. C'est une collaboration entre surfeurs, skateurs, photographes, cinéastes, écrivains et artistes.
Pendant six mois, l'équipe du magazine Belly m'a confiée la direction artistique de deux numéros. Voici le numéro 13.